Post Production Services
Post production is a delivery guarantee, not just a room full of software.
Post production is everything between the last day of shoot and an accepted master — edit, conform, VFX integration, grade, sound, subtitles and QC. At Fuke's Media LLP, post production services sits inside a single end-to-end visual production pipeline, so the same team that plans a shot can also finish it — no handoffs between disconnected vendors, no version drift, no surprises in the final conform.
Platform rejections almost always come from spec compliance, not creative quality, and a rejected master costs a release window. That is why production houses, OTT commissioners, agencies and brands bring this scope to a specialist partner instead of absorbing it in-house: dedicated artists, predictable turnaround, and a review loop that keeps the director in control of every frame.
We build the delivery spec into the schedule on day one and run technical QC continuously rather than at the very end. Every project starts with a technical breakdown — plate audit, colour pipeline, resolution and frame-rate targets, delivery specs — before a single artist is assigned. Shots are tracked individually through 5 production stages, and each stage has a named owner and an approval gate.
Masters are checked against the platform's own QC checklist — loudness, safe areas, closed captions, metadata and file naming — before hand-off. Deliverables leave the studio only after an internal QC pass covering Platform-compliant masters, Grade and mix stems, Subtitle and caption files and any client-specific delivery template. Where a project needs it, we work directly inside the client's own naming convention, folder structure and review platform.
Post production is a delivery guarantee, not just a room full of software. Whether the scope is a handful of hero shots or a full-season episodic volume, the workflow scales the same way — the same pipeline, the same QC, the same single point of contact from bid to final delivery.
Ingest & conform: Camera-original sync, EDL/AAF/XML conform and continuity checks against the locked cut.
Online & VFX integration: Full-resolution assembly with VFX shots dropped in as they are approved.
Colour grading: Primary and secondary grade in a calibrated, colour-managed suite.
Sound & mix: Dialogue clean-up, SFX, music layback and loudness-compliant mix.
Master & QC: Deliverable masters, subtitles, artwork and the full technical QC report.
Use case: Feature and short-film finishing
Use case: OTT episodic delivery
Use case: Brand campaign finishing
Use case: Archive and remaster projects
Deliverables: Platform-compliant masters; Grade and mix stems; Subtitle and caption files; Technical QC report.
Can you finish a project you did not shoot? Yes. We regularly take over projects at the locked-cut stage, including recovering incomplete or inconsistent conforms.
Do you deliver in OTT platform specs? Yes — we deliver to the published specs of the major streaming platforms and broadcasters, including caption and metadata requirements.
How are review cycles handled? Secure, watermarked streaming review with frame-accurate notes, plus optional attended sessions.