Cleanup Services
Cleanup is judged in motion, never on a still.
Cleanup covers the corrective repairs a plate needs — skin and beauty work, continuity mismatches, unwanted reflections, and set faults. At Fuke's Media LLP, cleanup services sits inside a single end-to-end visual production pipeline, so the same team that plans a shot can also finish it — no handoffs between disconnected vendors, no version drift, no surprises in the final conform.
Correcting on set costs shoot hours; correcting in post costs only the shots that actually need it. That is why production houses, OTT commissioners, agencies and brands bring this scope to a specialist partner instead of absorbing it in-house: dedicated artists, predictable turnaround, and a review loop that keeps the director in control of every frame.
Beauty work is done with frequency separation and temporal smoothing so skin keeps its texture and never turns plastic. Every project starts with a technical breakdown — plate audit, colour pipeline, resolution and frame-rate targets, delivery specs — before a single artist is assigned. Shots are tracked individually through 4 production stages, and each stage has a named owner and an approval gate.
All cleanup is reviewed at 24fps playback, not on stills, because that is where boiling and chatter show. Deliverables leave the studio only after an internal QC pass covering Cleaned sequences, Per-shot fix log, A/B comparison reel and any client-specific delivery template. Where a project needs it, we work directly inside the client's own naming convention, folder structure and review platform.
Cleanup is judged in motion, never on a still. Whether the scope is a handful of hero shots or a full-season episodic volume, the workflow scales the same way — the same pipeline, the same QC, the same single point of contact from bid to final delivery.
Note capture: Client and supervisor notes turned into a per-shot fix list.
Correction pass: Targeted repairs with texture preservation.
Temporal stabilisation: Flicker and boil removed across the sequence.
Playback QC: Full-speed review before delivery.
Use case: Beauty and skin retouch
Use case: Continuity mismatches between takes
Use case: Reflection and boom removal
Use case: Green-spill and set-fault repair
Deliverables: Cleaned sequences; Per-shot fix log; A/B comparison reel.
Will beauty work look artificial? Not if texture is preserved — we retouch structure while keeping pores and grain intact.
Can you fix continuity between two different takes? Often yes, through element replacement and repositioning, depending on coverage.
Do you handle full-sequence cleanup volumes? Yes, with batch-consistent settings so shots match across a sequence.